David Bordwell's website on cinema   click for CV

Home

Blog

Books

On the History of Film Style pdf online

Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

Film Art: An Introduction

Christopher Nolan: A Labyrinth of Linkages pdf online

Pandora’s Digital Box: Films, Files, and the Future of Movies pdf online

Planet Hong Kong, second edition pdf online

The Way Hollywood Tells It pdf online

Poetics of Cinema pdf online

Figures Traced In Light

Ozu and the Poetics of Cinema pdf online

Exporting Entertainment: America in the World Film Market 1907–1934 pdf online

Video

Hou Hsiao-hsien: A new video lecture!

CinemaScope: The Modern Miracle You See Without Glasses

How Motion Pictures Became the Movies

Constructive editing in Pickpocket: A video essay

Essays

Lessons with Bazin: Six Paths to a Poetics

A Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History

Shklovsky and His “Monument to a Scientific Error”

Murder Culture: Adventures in 1940s Suspense

The Viewer’s Share: Models of Mind in Explaining Film

Common Sense + Film Theory = Common-Sense Film Theory?

Mad Detective: Doubling Down

The Classical Hollywood Cinema Twenty-Five Years Along

Nordisk and the Tableau Aesthetic

William Cameron Menzies: One Forceful, Impressive Idea

Another Shaw Production: Anamorphic Adventures in Hong Kong

Paolo Gioli’s Vertical Cinema

(Re)Discovering Charles Dekeukeleire

Doing Film History

The Hook: Scene Transitions in Classical Cinema

Anatomy of the Action Picture

Hearing Voices

Preface, Croatian edition, On the History of Film Style

Slavoj Žižek: Say Anything

Film and the Historical Return

Studying Cinema

Articles

Book Reports

Observations on film art

Light up with Hildy Johnson: The NYT viewing party for HIS GIRL FRIDAY

Thursday | April 2, 2020   open printable version open printable version

DB here:

Manohla Dargis and A. O. Scott have had the excellent idea of picking a film for readers to watch over the weekend and inviting them to write about it. Here’s the viral viewing scheme.

I’ll be keen to read what the multitudes have to say.

If you’re interested, our site has paid homage to this classic several times. First I rehearsed a bit of history about how it snuck into university courses. Then I wrote an appreciation of it to accompany the release of the packed Criterion disc. (Find out why it’s called His Girl Friday!)

That disc release included a video essay in which I analyzed some things that fascinate me about this endless enjoyable movie. The video now accompanies the film on the Criterion Channel. There’s a vast trove of Hawksiana there as well, with expert comments and background information.

From its first edition in 1979, our textbook Film Art: An Introduction has used the film as a prime example of classical Hollywood storytelling. My colleagues Lea Jacobs and Vance Kepley have written a lot about it too. It’s the movie of our whole Wisconsin film studies program.

What more do you want? The 1940s. Hawks. Grant, Russell, the sublimely sincere Ralph Bellamy. His Girl Friday draws breakneck comedy out of  how the fast-talking and quick-witted can trounce the fumblers and boobs. (Would that it happened in real life.) The whole carnival is played out by one of the greatest scramble of sharp-edged character actors in Hollywood history.

And thanks for reading the second paragraph.


Thanks to Peter Becker, Kim Hendrickson, Curtis Tsui, and all their colleagues at Criterion for making this Hawksapalooza possible.

Comments are closed.

David Bordwell
top of page

have comments about the state of this website? go here