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Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

Film Art: An Introduction

Christopher Nolan: A Labyrinth of Linkages pdf online

Pandora’s Digital Box: Films, Files, and the Future of Movies pdf online

Planet Hong Kong, second edition pdf online

The Way Hollywood Tells It pdf online

Poetics of Cinema pdf online

Figures Traced In Light

Ozu and the Poetics of Cinema pdf online

Exporting Entertainment: America in the World Film Market 1907–1934 pdf online

Video

Hou Hsiao-hsien: A new video lecture!

CinemaScope: The Modern Miracle You See Without Glasses

How Motion Pictures Became the Movies

Constructive editing in Pickpocket: A video essay

Essays

A Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History

Shklovsky and His “Monument to a Scientific Error”

Murder Culture: Adventures in 1940s Suspense

The Viewer’s Share: Models of Mind in Explaining Film

Common Sense + Film Theory = Common-Sense Film Theory?

Mad Detective: Doubling Down

The Classical Hollywood Cinema Twenty-Five Years Along

Nordisk and the Tableau Aesthetic

William Cameron Menzies: One Forceful, Impressive Idea

Another Shaw Production: Anamorphic Adventures in Hong Kong

Paolo Gioli’s Vertical Cinema

(Re)Discovering Charles Dekeukeleire

Doing Film History

The Hook: Scene Transitions in Classical Cinema

Anatomy of the Action Picture

Hearing Voices

Preface, Croatian edition, On the History of Film Style

Slavoj Žižek: Say Anything

Film and the Historical Return

Studying Cinema

Articles

Book Reports

Observations on film art

THE HATEFUL EIGHT: A movie is a really big thing

Saturday | December 19, 2015   open printable version open printable version

HATEFUL 8 prints 600

Photo: Barbara Grassia.

DB here:

The latest dispatch from the Hateful Eight platter farm in Valencia CA, overseen by veteran film guru Chapin Cutler of Boston Light & Sound. Chapin writes:

This is a picture of the last three Hateful Eight prints leaving our print assembly location in Valencia. They are destined for local LA presentation locations.

Most of the other prints have been delivered or will be today [18 Dec.].

All locations have had their equipment delivered, save one;  due to facility issues, that venue’s equipment will be delivered Monday. By Sunday night or early Monday morning, all but the expected and remaining nine venues will be complete. The remaining nine will be done by end of day, Wednesday, 23.

Just to remind you, from Chapin’s previous message:

Each shipping case is 5 ft. x 5 ft. by 1 ft. thick. When loaded, it weighs about 400 lbs. . . . With the reel full, out of the box, the film and reel weigh about 250 lbs. Four people can easily lift it onto a platter deck.

I’m asking Santa for one.


Thanks to Chapin for his work on the project and his cooperation with our blog. Thanks as well to the thriving and inspiring Art House Convergence.

If you haven’t yet seen the list of Hateful Eight 70mm venues and showtimes, you can find it here.

P.S. 23 December 2015: Thanks to Gary Meyer of Art House Convergence, here’s a link to a very full story on the rehabbing of projectors for Tarantino’s Great Experiment.

P.P.S. 31 December 2015: Be sure to check this suspenseful tale of projecting the movie…with Tarantino in the audience.

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