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Books

Film Art: An Introduction

Christopher Nolan: A Labyrinth of Linkages pdf online

Pandora’s Digital Box: Films, Files, and the Future of Movies pdf online

Planet Hong Kong, second edition pdf online

The Way Hollywood Tells It pdf online

Poetics of Cinema pdf online

Chapter 3 | Three Dimensions of Film Narrative pdf online

Figures Traced In Light

Ozu and the Poetics of Cinema pdf online

Exporting Entertainment: America in the World Film Market 1907–1934 pdf online

Video

CinemaScope: The Modern Miracle You See Without Glasses

How Motion Pictures Became the Movies

Constructive editing in Pickpocket: A video essay

Essays

A Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History added September 2014

Shklovsky and His “Monument to a Scientific Error”

Murder Culture: Adventures in 1940s Suspense

The Viewer’s Share: Models of Mind in Explaining Film

Common Sense + Film Theory = Common-Sense Film Theory?

Mad Detective: Doubling Down

The Classical Hollywood Cinema Twenty-Five Years Along

Nordisk and the Tableau Aesthetic

William Cameron Menzies: One Forceful, Impressive Idea

Another Shaw Production: Anamorphic Adventures in Hong Kong

Paolo Gioli’s Vertical Cinema

(Re)Discovering Charles Dekeukeleire

Doing Film History

The Hook: Scene Transitions in Classical Cinema

Anatomy of the Action Picture

Hearing Voices

Preface, Croatian edition, On the History of Film Style

Slavoj Žižek: Say Anything

Film and the Historical Return

Studying Cinema

Articles

Book Reports

Observations on film art

DIY dumplings

Friday | April 29, 2011   open printable version open printable version

DB here in Madison, homebound from pneumonia, pining for Kristin and Ebertfest in Illinois:

The energetic Kevin Lee (when does he sleep?) has prepared a very nice video essay on Liu Jiayin’s Oxhide II at Moving Image Source.

The text is based partly on my blog entry on the movie from 2009. Kevin’s is something of an experimental piece, because it presents extracts from the entry in different voices and languages. I wasn’t able to narrate it because I’ve lost my voice, but the readers did better than I could have. Thanks to Evan Davis and Yuqian Yan, as well as the translators involved.

You can buy Liu’s first two Oxhide films on DVD at dGenerate Films, along with other important recent Chinese titles. Every university film department, and every serious lover of cinema, needs to own these movies. Liu shows what you can do with very few means but a lot of imagination. And Oxhide III is in the works.

And don’t forget to visit the videos of introductions and Q & A’s from this year’s Ebertfest here. Some are streaming, some are archived, all are interesting. As I typed this, Paul Fierlinger was talking about the background to My Dog Tulip.

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