• Navigate

  • Blog Home

Search



Christopher Nolan: A Labyrinth of Linkages

First edition, 2013.
62 pages, 6 × 9 inches
[order PDF version, $1.99]



Pandora’s Digital Box: Films, Files, and the Future of Movies

First edition, 2012.
237 pages, 5 × 7 inches
[order PDF version, $3.99]



Planet Hong Kong

Second edition, 2011.
299 pages, 11 × 8.5 inches, 441 color illustrations
[order PDF version, $15]



The Frodo Franchise: The Lord of the Rings and Modern Hollywood

by Kristin Thompson. Berkeley: University of California Press, 2007.
400 pages, 6 × 9 inches, 12 color illustrations; 36 b/w illustrations.
[go to Amazon | go to The Frodo Franchise blog]



Film Art: An Introduction

Textbook written in collaboration with Kristin Thompson. Tenth edition, New York: McGraw-Hill, 2012.
544 pages, more than 1,000 illustrations.
[go to Amazon]



Film History: An Introduction

Textbook written with Kristin Thompson (first-named author). Third edition, New York: McGraw-Hill, 2009.
800 pages, color illustrations.
[go to Amazon]

• Syndicate

  

  Subscribe to this site's RSS feed.

  Desktop Reader Bloglines Google Live Netvibes Yahoo!

Readers’ Favorite Entries

• PANDORA’S DIGITAL BOX: The Blog Series
• THE GRAND BUDAPEST HOTEL: Wes Anderson takes the 4:3 challenge
• Understanding film narrative: The trailer
• GRAVITY, Part 2: Thinking inside the Box
• GRAVITY, Part 1: Two characters adrift in an experimental film
• THE GRANDMASTER: Moving forward, turning back
• Mixing business with pleasure: Johnnie To's DRUG WAR
• David Koepp: Making the world movie-sized
• Pandora's digital box: End times
• Scoping things out: A new video lecture
• All play and no work? ROOM 237
• Roger Ebert
• Donald Richie
• A hobbit is chubby, but is he off-balance?
• What next? A video lecture, I suppose. Well, actually, yeah....
• News! A video essay on constructive editing
• The wayward charms of Cinerama
• Nolan vs. Nolan
• TINKER TAILOR: A guide for the perplexed
• HUGO: Scorsese's birthday present to Georges Méliès
• Down in front! Notes from the Raccoon Lodge
• You are my density
• A variation on a sunbeam: Exploring a Griffith Biograph film
• Do not forget to return your 3D glasses
• Capellani trionfante
• Cognitive scientists 1, screenplay gurus 0
• Graphic content ahead
• Molly wanted more
• Endurance: Survival lessons from Lumet
• Watching you watch THERE WILL BE BLOOD
• THE SOCIAL NETWORK: Faces behind facebook
• Has 3D already failed? The sequel, part 2: RealDsgusted
• Has 3D Already Failed? The sequel, part one: RealDlighted
• Bond vs. Chan: Jackie shows how it's done
• Revisiting INCEPTION
• INCEPTION; or, Dream a Little Dream within a Dream with Me
• Now you see it, now you can't
• The Cross
• Scorsese, 'pressionist
• METROPOLIS unbound
• Foreground, background, playground
• Film criticism: Always declining, never quite falling
• Her design for living
• Motion-capturing an Oscar
• Light is a law
• Kurosawa's early spring
• Don't knock the blockbusters
• (50) Days of summer (movies), Part 2
• Has 3-D already failed?
• Now leaving from platform 1
• Your tax dollars at work for Michael Bay

• Categories

  • 3D
  • Actors
  • Actors: Fairbanks
  • Actors: Hart
  • Actors: Lloyd
  • Agee
  • Anderson
  • Animation
  • Animation: Aardman
  • Animation: Pixar
  • Art cinema
  • Asian cinema
  • Awards
  • B films
  • Books
  • Comic strips and cartoons
  • Digital cinema
  • Directors: Almodovar
  • Directors: Anderson, Paul Thomas
  • Directors: Anderson, Wes
  • Directors: Andersson
  • Directors: Angelopoulos
  • Directors: Antonioni
  • Directors: Bahrani
  • Directors: Bauer
  • Directors: Benning
  • Directors: Bergman
  • Directors: Bong Joon-ho
  • Directors: Borzage
  • Directors: Cameron
  • Directors: Capellani
  • Directors: Capra
  • Directors: Chaplin
  • Directors: Coens
  • Directors: Cronenberg
  • Directors: Cuarón
  • Directors: Demy
  • Directors: Disney
  • Directors: Dreyer
  • Directors: Eisenstein
  • Directors: Fei Mu
  • Directors: Fellini
  • Directors: Feuillade
  • Directors: Fincher
  • Directors: Ford
  • Directors: Godard
  • Directors: Griffith
  • Directors: Guerin
  • Directors: Hawks
  • Directors: Hitchcock
  • Directors: Hong Sangsoo
  • Directors: Hou Hsiao-hsien
  • Directors: Huston
  • Directors: Iosseliani
  • Directors: Jackson
  • Directors: Jacobs
  • Directors: Jia Zhang-ke
  • Directors: Johnnie To Kei-fung
  • Directors: Keaton
  • Directors: Kiarostami
  • Directors: King Hu
  • Directors: Koepp
  • Directors: Kore-eda Hirokazu
  • Directors: Kuleshov
  • Directors: Kurosawa Akira
  • Directors: Lang
  • Directors: Lau Kar-leung
  • Directors: Liu Jiayin
  • Directors: Lubitsch
  • Directors: Lumet
  • Directors: Mangold
  • Directors: Mankiewicz
  • Directors: Mann
  • Directors: Méliès
  • Directors: Mendoza
  • Directors: Menzies
  • Directors: Miike Takashi
  • Directors: Miyazaki Hayao
  • Directors: Mizoguchi Kenji
  • Directors: Morris
  • Directors: Nolan
  • Directors: Oliveira
  • Directors: Ozu Yasujiro
  • Directors: Panahi
  • Directors: Preminger
  • Directors: Ray, Nicholas
  • Directors: Ray, Satyajit
  • Directors: Ruiz
  • Directors: Schrader
  • Directors: Scorsese
  • Directors: Scott (Tony)
  • Directors: Shimizu Hiroshi
  • Directors: Sirk
  • Directors: Sjöström
  • Directors: Soderbergh
  • Directors: Spielberg
  • Directors: Sturges
  • Directors: Suleiman
  • Directors: Suo Masayuki
  • Directors: Tarantino
  • Directors: Tarr
  • Directors: Tati
  • Directors: Tsai Ming-liang
  • Directors: Tsui Hark
  • Directors: von Sternberg
  • Directors: von Trier
  • Directors: Walsh
  • Directors: Weerasethakul
  • Directors: Welles
  • Directors: Wong Kar-wai
  • Directors: Woo
  • Directors: Wyler
  • Documentary film
  • DVDs
  • Experimental film
  • Fans and fandom
  • Festivals
  • Festivals: Cinédécouvertes
  • Festivals: Cinema Ritrovato
  • Festivals: Ebertfest
  • Festivals: Hong Kong
  • Festivals: Vancouver
  • Festivals: Wisconsin
  • Film and other media
  • Film archives
  • FILM ART (the book)
  • Film comments
  • Film criticism
  • Film genres
  • Film history
  • Film industry
  • Film piracy
  • Film scholarship
  • Film technique
  • Film technique: Cinematography
  • Film technique: Editing
  • Film technique: Music
  • Film technique: Performance
  • Film technique: Screenwriting
  • Film technique: Sound
  • Film technique: Staging
  • Film technique: Widescreen
  • Film technology
  • Film theory
  • Film theory: Cognitivism
  • Global film industry
  • Hollywood: Artistic traditions
  • Hollywood: The business
  • Independent American film
  • Internet life
  • Movie theatres
  • Narrative strategies
  • Narrative: Suspense
  • National cinemas: Africa
  • National cinemas: Austria
  • National cinemas: Central America
  • National cinemas: China
  • National cinemas: Denmark
  • National cinemas: Eastern Europe
  • National cinemas: France
  • National cinemas: Germany
  • National cinemas: Hong Kong
  • National cinemas: India
  • National cinemas: Iran
  • National cinemas: Israel
  • National cinemas: Italy
  • National cinemas: Japan
  • National cinemas: Mexico
  • National cinemas: Middle East
  • National cinemas: New Zealand
  • National cinemas: Philippines
  • National cinemas: Russia and USSR
  • National cinemas: South America
  • National cinemas: South Korea
  • National cinemas: Spain and Portugal
  • National cinemas: Sweden
  • National cinemas: Taiwan
  • National cinemas: Thailand
  • National cinemas: Turkey
  • National cinemas: UK
  • New media: Technology
  • PANDORA'S DIGITAL BOX: The Blog Series
  • People we like
  • PLANET HONG KONG: backstories and sidestories
  • Poetics of cinema
  • Readers' Favorite Entries
  • Screenwriting
  • Silent film
  • Special effects and CGI
  • Tableau staging
  • Television
  • The Frodo Franchise
  • The Rhapsodes: US Film Critics of the 1940s
  • UW Film Studies

• Go Back In Time

  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • November 2010
  • October 2010
  • September 2010
  • August 2010
  • July 2010
  • June 2010
  • May 2010
  • April 2010
  • March 2010
  • February 2010
  • January 2010
  • December 2009
  • November 2009
  • October 2009
  • September 2009
  • August 2009
  • July 2009
  • June 2009
  • May 2009
  • April 2009
  • March 2009
  • February 2009
  • January 2009
  • December 2008
  • November 2008
  • October 2008
  • September 2008
  • August 2008
  • July 2008
  • June 2008
  • May 2008
  • April 2008
  • March 2008
  • February 2008
  • January 2008
  • December 2007
  • November 2007
  • October 2007
  • September 2007
  • August 2007
  • July 2007
  • June 2007
  • May 2007
  • April 2007
  • March 2007
  • February 2007
  • January 2007
  • December 2006
  • November 2006
  • October 2006
  • September 2006

• • also visit:

    • 100 Online sources for film archives
    • Animation World
    • Arts & Letters Daily
    • Bill Desowitz: Immersed in Movies
    • Bourne Cinema Conspiracy
    • Butterflies and Wheels
    • Chicago Reader on Film
    • Christian Hayes’ Classic Film Show
    • Cine-Files
    • Cinemawriter (Jay Antani)
    • Cinemetrics
    • Cinephiled
    • Cinephobia
    • Cinespect (Ryan Wells and colleagues)
    • Continuity Boy
    • Critic after Dark: Noel Vera
    • DaveKehr.com
    • David Poland: The Hot Blog
    • Denis Dutton
    • Fandor Keyframe (David Hudson et al.)
    • Fandor Keyframe (David Hudson et al.)
    • Film Festival World
    • Film Studies at UW–Madison
    • Film Studies for Free
    • Filmmaker Magazine
    • FredCamper.com
    • Gary Giddins’ website
    • Girish Shambu
    • Glenn Kenny's Some Came Running
    • Greenbriar Picture Shows
    • Harry Tuttle at Screenville
    • Harvard Film Archive
    • Harvey Deneroff’s site
    • Henry Jenkins’ Blog
    • Hong Kong Hustle
    • Ivo Blom on film and painting
    • Jan-Christopher Horak's "Archival Spaces" blog
    • Jeff Goldsmith CREATIVE SCREENWRITING blog and podcast
    • Jim Emerson’s Scanners
    • JJ Murphy on independent cinema
    • Jonathan Rosenbaum
    • JustTV (Jason Mittell)
    • Lars von Trier discusses ANTICHRIST
    • Mark Schilling on Japanese film
    • Mellart (Marco Milone)
    • Michael Barrier on animation
    • Midnight Eye: The Latest and Best in Japanese Film
    • Mike Grost’s Classic Film and Television
    • More than Meets the Mogwai
    • Movie City News
    • MUBI Notebook
    • Nick Redfern on empirical film research
    • Only the cinema
    • Oswald Iten on color in animation
    • Parallax View: Sean Axmaker & co.
    • Paul Ramaeker's blog: The Third Meaning
    • Peet Gelderblom: Directorama
    • Reid Rosefelt on Social Media for Filmmakers
    • Robert Horton on film
    • RogerEbert.com
    • Screen Slate
    • Self-Styled siren
    • Sully Sweet's blog
    • TCM Movie Morlocks
    • The Bioscope
    • The Golden Rock on Asian movies and popular culture
    • Thomas Elsaesser site
    • Timeline: Visual Effects, Computer Graphics, Computer Animation
    • VFX World
    • Virginia Wright Wexman on enjoying film festivals
    • Yvonne Teh
    • Zigzigger: On the Audiovisual and Beyond

• • Log in

Search Results