David Bordwell's website on cinema   click for CV
    %62or%64%77e%6cl%40%77%69%73c%2e%65%64%75

Home

Blog

Books

Film Art: An Introduction

Christopher Nolan: A Labyrinth of Linkages pdf online

Pandora’s Digital Box: Films, Files, and the Future of Movies pdf online

Planet Hong Kong, second edition pdf online

The Way Hollywood Tells It pdf online

Poetics of Cinema pdf online

new! Chapter 6 | Film Futures pdf online

Figures Traced In Light

Ozu and the Poetics of Cinema pdf online

Exporting Entertainment: America in the World Film Market 1907–1934 pdf online

Video

CinemaScope: The Modern Miracle You See Without Glasses

How Motion Pictures Became the Movies

Constructive editing in Pickpocket: A video essay

Essays

A Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History added September 2014

Shklovsky and His “Monument to a Scientific Error”

Murder Culture: Adventures in 1940s Suspense

The Viewer’s Share: Models of Mind in Explaining Film

Common Sense + Film Theory = Common-Sense Film Theory?

Mad Detective: Doubling Down

The Classical Hollywood Cinema Twenty-Five Years Along

Nordisk and the Tableau Aesthetic

William Cameron Menzies: One Forceful, Impressive Idea

Another Shaw Production: Anamorphic Adventures in Hong Kong

Paolo Gioli’s Vertical Cinema

(Re)Discovering Charles Dekeukeleire

Doing Film History

The Hook: Scene Transitions in Classical Cinema

Anatomy of the Action Picture

Hearing Voices

Preface, Croatian edition, On the History of Film Style

Slavoj Žižek: Say Anything

Film and the Historical Return

Studying Cinema

Articles

Book Reports

Observations on film art

Get well soon, Richie-san

Sunday | November 15, 2009   open printable version open printable version

Donald R 2007 500

Donald Richie is in a Tokyo hospital recuperating from pneumonia.

If you’ve read a book on Japanese cinema or listened to a Criterion commentary, you probably know his voice. And if you admire Ozu or Kurosawa or Mizoguchi or Kinoshita or Oshima or virtually any other Japanese director, you have Donald to thank. Many of the films we consider classics would not have been seen in the west had Donald not convinced Japanese companies that there was a worldwide audience eager to know this country and its cinema. Gatekeeper, tastemaker, public intellectual, and memoirist, this exuberant 85-year-old has given us so much pleasure and wisdom that we should remind him how much he means to us.

You can send cards, letters, and well wishes to Donald Richie, c/o KiSMet, 1-2-7-8E Meguro, Meguro-ku, Tokyo Japan 153-0063.

washline 500

Comments are closed.

David Bordwell
top of page

comments about the state of this website go to Meg Hamel.