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Perplexing Plots: Popular Storytelling and the Poetics of Murder

On the History of Film Style pdf online

Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

Film Art: An Introduction

Christopher Nolan: A Labyrinth of Linkages pdf online

Pandora’s Digital Box: Films, Files, and the Future of Movies pdf online

Planet Hong Kong, second edition pdf online

The Way Hollywood Tells It pdf online

Poetics of Cinema pdf online

Figures Traced In Light

Ozu and the Poetics of Cinema pdf online

Exporting Entertainment: America in the World Film Market 1907–1934 pdf online

Video

Hou Hsiao-hsien: A new video lecture!

CinemaScope: The Modern Miracle You See Without Glasses

How Motion Pictures Became the Movies

Constructive editing in Pickpocket: A video essay

Essays

Rex Stout: Logomachizing

Lessons with Bazin: Six Paths to a Poetics

A Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History

Shklovsky and His “Monument to a Scientific Error”

Murder Culture: Adventures in 1940s Suspense

The Viewer’s Share: Models of Mind in Explaining Film

Common Sense + Film Theory = Common-Sense Film Theory?

Mad Detective: Doubling Down

The Classical Hollywood Cinema Twenty-Five Years Along

Nordisk and the Tableau Aesthetic

William Cameron Menzies: One Forceful, Impressive Idea

Another Shaw Production: Anamorphic Adventures in Hong Kong

Paolo Gioli’s Vertical Cinema

(Re)Discovering Charles Dekeukeleire

Doing Film History

The Hook: Scene Transitions in Classical Cinema

Anatomy of the Action Picture

Hearing Voices

Preface, Croatian edition, On the History of Film Style

Slavoj Žižek: Say Anything

Film and the Historical Return

Studying Cinema

Articles

Book Reports

Observations on film art

Two aca-fans being aca, and a little fannish

Monday | October 22, 2018   open printable version open printable version

You probably know Henry Jenkins’ vast website “Confessions of an Aca-Fan.” It hosts blog entries, essays, interviews, and a podcast. As both a media scholar (the aca part) and a connoisseur (the fan), Henry has wide-ranging interests. He analyzes/enjoys/celebrates/criticizes film, TV, comics, music, and videogames (he testified about them to Congress). He’s also a big advocate for the role of media in education and political change.

Henry was a student of ours here at Madison, and I directed his dissertation. That became the book What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. Currently celebrating its twenty-fifth anniversary, it’s still very much worth reading as an original and entertaining cultural study of movie comedy. While doing his dissertation, Henry was also writing his trailblazing study of fan culture, Textual Poachers: Television Fans and Participatory Culture. (It now has an updated, twentieth-anniversary edition.)

Soon enough he followed that with another influential book, Convergence Culture: Where Old and New Media Collide. The idea of “transmedia storytelling” that Henry set forth here became a byword for the media industry as well as for scholars; his prophecy that we’d see a lot more of it has come true with a vengeance. We had a nifty dialogue about the idea online some years back (here and here).

And these are just three of his seventeen books! Henry is an epic multitasker, so he has found the energy to be an inspiring teacher as well. All of us at Wisconsin are thoroughly proud of him.

Naturally, when Henry asked me to participate in an email interview around my two 1940s books, The Rhapsodes and Reinventing Hollywood, I felt honored. Now he has run our conversation in four installments on his site, starting here.

I hope the answers I provide will shed light on my research projects. (As for the fan part: Yes, The Greatest Showman and Game Night are mentioned.) At the least I think people will learn a lot from Henry’s questions. Thanks to him for reigniting the spark of conversations we’ve had over the years.

 

 

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