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Perplexing Plots: Popular Storytelling and the Poetics of Murder

On the History of Film Style pdf online

Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

Film Art: An Introduction

Christopher Nolan: A Labyrinth of Linkages pdf online

Pandora’s Digital Box: Films, Files, and the Future of Movies pdf online

Planet Hong Kong, second edition pdf online

The Way Hollywood Tells It pdf online

Poetics of Cinema pdf online

Figures Traced In Light

Ozu and the Poetics of Cinema pdf online

Exporting Entertainment: America in the World Film Market 1907–1934 pdf online


Hou Hsiao-hsien: A new video lecture!

CinemaScope: The Modern Miracle You See Without Glasses

How Motion Pictures Became the Movies

Constructive editing in Pickpocket: A video essay


Rex Stout: Logomachizing

Lessons with Bazin: Six Paths to a Poetics

A Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History

Shklovsky and His “Monument to a Scientific Error”

Murder Culture: Adventures in 1940s Suspense

The Viewer’s Share: Models of Mind in Explaining Film

Common Sense + Film Theory = Common-Sense Film Theory?

Mad Detective: Doubling Down

The Classical Hollywood Cinema Twenty-Five Years Along

Nordisk and the Tableau Aesthetic

William Cameron Menzies: One Forceful, Impressive Idea

Another Shaw Production: Anamorphic Adventures in Hong Kong

Paolo Gioli’s Vertical Cinema

(Re)Discovering Charles Dekeukeleire

Doing Film History

The Hook: Scene Transitions in Classical Cinema

Anatomy of the Action Picture

Hearing Voices

Preface, Croatian edition, On the History of Film Style

Slavoj Žižek: Say Anything

Film and the Historical Return

Studying Cinema


Book Reports

Observations on film art

I was, and may still be, a spy for the MPAA

Thursday | November 1, 2007   open printable version open printable version


DB here:

The Motion Picture Association of America is the trade association of the major film production and distribution companies. Founded in 1922, it helped the Hollywood studios maintain their control of the US industry and foster its business abroad. (See Kristin’s book Exporting Entertainment for an explanation of how it worked.) In 1945 the MPAA split off its international efforts and created a subsidiary, the Motion Picture Export Association of America, which helped the majors move in a systematic way into world markets. The current MPAA members are the Big Six: Sony (Columbia), Buena Vista (Disney), Universal, Paramount, Warner Bros., and Twentieth Century Fox.

About fifteen months ago, the MPAA created a survey called My Movie Muse. Reading about it in Variety, I eagerly signed up. Every three or four months My Muse contacts me and asks me to answer some questions. At the end of the survey, I’m told that my name has been entered in a drawing for a gift certificate from Amazon.

I’ve never won. I’ve never heard who did. Maybe I won and the MPAA forgot to tell me.

The Movie Muse survey started last year with 7500 participants. You can join us by going to the website.

The initiative, according to MPAA head Dan Glickman, enables moviegoers to tell the industry their concerns.

People want to have input. They want to know that their movie viewing experiences are worth their time and money, and they want to know that our industry is hearing their criticisms and demands. In this age of participatory media, My Movie Muse will give consumers an opportunity to be heard.

Unfortunately, we Musers have little opportunity to say anything that doesn’t fall into a narrow set of multiple-choice queries. Let’s take a little drive through the questions. Beware the speed bump.

Eyes on your own paper, buddy

Every Muse form I’ve filled out is essentially the same, with a few seasonal variants. (What is your favorite Halloween movie?) The Muse announces that some questions will be repeated every few months “so that we can see how your opinions change over time.” You could perhaps make the Muse happy providing different answers at each iteration of the survey.

The Muse’s first clutch of questions involves your opinion of movies in general. Do you like ‘em or dislike ‘em? Do you think they’re better than they were in the 1990s? How do they compare with other forms of entertainment, like TV shows, videogames, and music? Do you like indies, kid movies, dramas, comedies, animation, documentary, whatever? How often do you see movies in theatres, rent DVDs, buy DVDs, or watch a movie online? How do you like the moviegoing experience in your local theatre? And so on. This is all pretty banal and anodyne, though I can imagine a firm using these data to help back up production decisions. (“See? I told you nobody likes Westerns.”)

The Muse proffers the Don’t Know option often, sometimes to puzzling effect. Is Don’t know really an appropriate answer to statements like the following?

Movies are often a topic of conversation among my friends.

I like to watch my favorite movies over and over again.

I use a DVR, iPod, computer CD or DVD burner on a regular basis.

Sometimes the inquiry turns Borgesian. Here’s one statement:

Movie plots are more predictable than they used to be.

If you don’t know, they’re probably not more predictable, at least to you. Another question asks:

Did you know that some movie theaters offer programs for frequent moviegoers, where you can earn free popcorn, sodas, and movie tickets depending on how many times you go to the theater?

The options are: Yes/ No/ Don’t know. Presumably if you don’t know, you’ll answer No. But if you answer Don’t know, does that mean that you don’t know whether you know?

In any case, the speed bump comes up soon enough. Not to scare you, but maybe there’s some serious stuff ahead.


Don’t know what a slide rule is for

We’re eased into the hard questions gradually:

Are you aware of peer-to-peer file-sharing services that allow you to download full-length films or TV shows via the Internet for free?

Again we get Don’t know as an option, which isn’t really viable. Try telling an interrogator allowed to use harsh measures, I don’t know if I’m aware of peer-to-peer file-sharing services. . . But now there’s another option: Prefer not to say. Good choice. Too bad it won’t come up again.

We’re asked how often we download purchased movies and TV shows, download bootleg material, buy bootleg DVDs, copy DVD files to hard drives, and receive CD or DVD copies from a friend. The Muse is also curious about how often you copy such material to disc for a friend, or for your personal use. The permitted answers range from Never to 4 or more times a month. This menu may need revising; I suspect some of my friends pursue these activities 4 or more times an hour.

Anyhow, it seems likely that nearly everybody between the ages of 4 and 50 has done at least one of these things. You’d prefer to say Prefer not to say, but the only evasive tactic is Don’t know.

You recall the Perry Mason trick: After the sweating witness has testified, Perry asks, “Are you aware of the penalties for perjury?” Something similar happens here. Once the Muse establishes that you’ve surely broken the law, with relentless prosecutorial logic it asks if you did so willfully. Getting cozy in a Good Cop way, the Muse acquires a singular personal pronoun:

For each of the following activities, please tell me whether you think they are legal or illegal:

Copy a movie or TV show on a CD or DVD to give to someone else.

Go to a website and download a TV show you paid for.

Go to a website and download a full-length movie you paid for.

Copy files from DVDs onto your hard drive.

Buy a bootleg DVD.

Go to a file-sharing site and download a TV show for free.

Receive a copy of a movie or a TV show on a CD or DVD for your own use—to watch whenever you want.

But the statements are too bald and inexact. These activities aren’t necessarily illegal, according to intellectual property attorney Jim Peterson:

The work might be in the public domain (too old, registration or renewal failure) or it might be a fair use. You could conceivably download a movie as a fair use for your own scholarship without violating the DMCA prohibitions on defeating copy protection or removing copyright management information. The guy who cracked the copy protection on the DVD probably has some Digital Millennium Copyright Act problems, though. Same thing with buying a bootleg DVD. I don’t think buying is illegal; it’s selling that’s the problem.

Since the Muse’s questions don’t allow for such nuances, once more the Don’t know option is looking mighty attractive.

My Muse goes on to ask if any of the following considerations would affect your decision to undertake the illegal activities you’ve already mentioned. Now if you thought that they were all legal, or if you answered Don’t know, then presumably you don’t have to reply to what follows. In any case, imagine Penn Gillette reciting each of these possibilities in his most explosively disrespectful voice, with expletives freely inserted. Would you avoid breaking the law . . .

If official DVDs were $5 cheaper?

If tickets for the movie theater were $2 cheaper?

If a portion of the DVD price was contributed to charity?

If you were concerned that buying and downloading unofficial copies was tied to criminal activities or terrorism?

If friends or somebody in your community were being prosecuted for a similar activity?

If you received a notice warning you that you might be prosecuted?

If you got off with a wrist slap and a threat of future surveillance?

If you were made an example in order to deter other scum?

If specially-made DVDs carried an electrical charge of 50,000 volts to be shot into a user when s/he sought to copy them?

If certain DVDs were sprayed with microbes carrying sexually transmitted diseases?

Granted, I made up some of these, but maybe you can’t tell which ones. Anyhow, the correct answer is Don’t know, said quickly ten times with your hands over your ears.

Suppose you say you don’t download movies illegally. Then My Muse, not one to back off, asks why you don’t break the law. The lengthy set of options includes such noble justifications as I don’t have the time, I don’t know how to do it, I don’t like to watch movies at my computer, It takes too long, and I wouldn’t get the DVD bonus materials. For such freedoms brave men died.

The replies It is illegal and I’m afraid of getting prosecuted and sued come at the very end. Correct answer: Oh, riiight . . . It’s illegal. Sure . . . that’s it . . . Illegal. Of course, if the purpose of the questionnaire is not to find out what we think but to tell us what to think, then these questions come at the right moment. They tacitly say: All of the above-mentioned things you are doing, or are now thinking about doing, can be punished by lawsuits and a stay in the Big House.

The last page offers you a list of legal movie download sites, asking if you recognize or use any of them. I recognized most, but Guba and Vongo were new names to me. I don’t think I could bring myself to use any service, even for roto-rooting purposes, called Guba or Vongo.

Just as you’re ready to pack your toothbrush for the holding tank, the Muse gives a cheery farewell. “That’s it! . . .You’re done!”

When My Muse went online last year, industry observers noticed right away that the survey seemed more about selling people the MPAA’s line on copyright than about getting their responses. Anthony Kaufman, one of the dueling cavaliers of the cineblogosphere, wrote:

The leading questions are clearly part of a larger MPAA struggle to bolster copyright initiatives and crack down on fair use, file sharing and anything that threatens the bottom line of the international conglomerates. Dan Glickman may be the kinder, gentler face of the MPAA in the wake of Jack Valenti’s exit, but if his demeanor is softer, his goals are still just as nefarious.

This is a plausible interpretation. But I don’t want to rule out the possibility that the studios might really listen to my write-in request that they upgrade release prints and stick with 35mm instead of going digital. Or maybe the MPAA is branching out into online entertainment, like those commercials, quizzes, and snack-bar plugs that come up before the trailers. Is My Movie Muse a trial balloon for a new feature, DRM: Be Very Afraid?

Don’t know, Don’t know, Don’t know.

I’m not holding my breath for my Amazon certificate either.


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