{"id":834,"date":"2007-05-12T01:08:43","date_gmt":"2007-05-12T08:08:43","guid":{"rendered":"http:\/\/www.davidbordwell.net\/blog\/?p=834"},"modified":"2011-03-08T18:45:33","modified_gmt":"2011-03-09T00:45:33","slug":"sundancing-in-mad-city","status":"publish","type":"post","link":"https:\/\/www.davidbordwell.net\/blog\/2007\/05\/12\/sundancing-in-mad-city\/","title":{"rendered":"Sundancing in Mad City"},"content":{"rendered":"<p><img decoding=\"async\" id=\"image835\" alt=\"theatres_2_icon.jpg\" src=\"https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/theatres_2_icon.jpg\" \/><\/p>\n<p>DB here:<\/p>\n<p>Though we&#8217;re in Auckland and missed the opening of <a target=\"_blank\" href=\"http:\/\/www.sundancecinemas.com\/madison.html\">Sundance 608<\/a> in Madison, we&#8217;re happy to read about it. The company played the local press like a violin, slowly building the news and letting local bigwigs get the VIP tour before opening. Redford hinted that he&#8217;d show up, then had to stay home to finish cutting <em>Lions for Lambs<\/em>.<\/p>\n<p>The <em>Capital Times<\/em> gave robust <a target=\"_blank\" href=\"http:\/\/www.madison.com\/archives\/read.php?ref=\/tct\/2007\/05\/07\/0705070318.php\">coverage<\/a> to the opening night (screening of <em>Paris, je t&#8217;aime<\/em>) and the benefit followup (<em>La vie en rose<\/em>). Rob Thomas analyzes the impact on local film culture <a target=\"_blank\" href=\"http:\/\/www.madison.com\/archives\/read.php?ref=\/tct\/2007\/05\/05\/0705050261.php\">here<\/a>, with comments from Lionsgate and other distributors. In Dean Robbins&#8217; <em>Isthmus<\/em> <a target=\"_blank\" href=\"http:\/\/www.thedailypage.com\/isthmus\/article.php?article=6588\">interview<\/a>, Redford suggests that Madison was selected because of its progressive politics rather than its movie mania (which I <a target=\"_blank\" href=\"https:\/\/www.davidbordwell.net\/blog\/?p=217\">blogged about<\/a> last year). He also intimates that the new chain may be showing films that didn&#8217;t make the cut for his festival. Does this make Sundance a film distributor as well as an exhibitor?<\/p>\n<p>Put aside the <a target=\"_blank\" href=\"http:\/\/www.thedailypage.com\/daily\/article.php?article=6506\">amenities<\/a>&#8211;cafe, bar, rooftop restaurant, padded armchairs, free WiFi in the lounges. This is about movies, remember? The first week&#8217;s lineup is strong: <em>Waitress<\/em>, <em>Black Book<\/em>, <em>Air Guitar Nation<\/em>, <em>The TV Set<\/em>,<em> Away from Her<\/em>, and <em>After the Wedding<\/em>. If the city&#8217;s other art theatres, Westgate and the Orpheum\/Stage Door can stay competitive, Madison will have twelve screens devoted to indie and foreign-language fare&#8211;pretty good for a city of a couple hundred thousand people.<\/p>\n<p><strong>PS 14 May <\/strong>(New Zealand time): In the blog, <a target=\"_blank\" href=\"http:\/\/www.dane101.com\/arts\/2007\/05\/12\/opening_day_at_sundance_608_good_news_and_bad_news\">Dane101<\/a>, <strong>Sean Weitner<\/strong> provides a vivid and detailed account of going to Sundance 608, including the &#8220;convenience fee,&#8221; which I&#8217;ve never encountered but which makes great sense. One more reason to get homesick for Mad City.<\/p>\n<p><strong>PPS 16 May<\/strong> (NZT): Go <a target=\"_blank\" href=\"http:\/\/althouse.blogspot.com\/2007\/05\/i-have-theory-about-new-sundance.html\">here<\/a> for Ann Althouse&#8217;s skeptical take on Sundance 608, including pix. Thanks to Michael Newman for the link.<\/p>\n<p><strong>PPPS 20 May<\/strong> (NZT): Go to <a target=\"_blank\" href=\"http:\/\/www.madison.com\/tct\/news\/stories\/index.php?ntid=135028\">this story<\/a> in <em>The Capital Times<\/em> and <a target=\"_blank\" href=\"http:\/\/www.madison.com\/tct\/forums\/viewtopic.php?t=25461\">this forum<\/a> to find out how confusing the &#8220;convenience fee&#8221; can be, and why it may alienate customers. I hadn&#8217;t realized that it doesn&#8217;t add that much convenience, becomes obligatory at prime times, and operates even when the theatre is nearly empty.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DB here: Though we&#8217;re in Auckland and missed the opening of Sundance 608 in Madison, we&#8217;re happy to read about it. The company played the local press like a violin, slowly building the news and letting local bigwigs get the VIP tour before opening. Redford hinted that he&#8217;d show up, then had to stay home [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,6],"tags":[],"class_list":["post-834","post","type-post","status-publish","format-standard","hentry","category-film-comments","category-film-industry"],"_links":{"self":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/comments?post=834"}],"version-history":[{"count":2,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/834\/revisions"}],"predecessor-version":[{"id":13098,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/834\/revisions\/13098"}],"wp:attachment":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/media?parent=834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/categories?post=834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/tags?post=834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}