{"id":42,"date":"2006-11-04T15:30:53","date_gmt":"2006-11-04T22:30:53","guid":{"rendered":"http:\/\/www.davidbordwell.net\/blog\/?p=42"},"modified":"2011-03-08T09:36:12","modified_gmt":"2011-03-08T15:36:12","slug":"crazed-killer-sheep-from-new-zealand","status":"publish","type":"post","link":"https:\/\/www.davidbordwell.net\/blog\/2006\/11\/04\/crazed-killer-sheep-from-new-zealand\/","title":{"rendered":"Crazed Killer Sheep from New Zealand"},"content":{"rendered":"<p class=\"MsoNormal\">Kristin here\u2014\n<\/p>\n<p class=\"MsoNormal\"><em>Variety<\/em> today announces the splendid news that <em><a target=\"_blank\" href=\"http:\/\/www.imdb.com\/title\/tt0779982\/companycredits\">Black Sheep<\/a> <\/em>has been picked up for distribution in the U.S. by The Weinstein Company.\u00a0 At last!\n<\/p>\n<p class=\"MsoNormal\">It\u2019s not the latest masterpiece from Iran or a new Oscar-bait documentary.\u00a0 It\u2019s a comic horror film from New Zealand.\u00a0 I have no idea whether it\u2019s any good, but it\u2019s got a great tagline:\u00a0 \u201cThere are 40 million sheep in New Zealand &#8230; and they\u2019re pissed off!\u201d\u00a0 Naturally <em>Black Sheep<\/em> revolves around one of those genetic experiments that go terribly wrong.\u00a0 It\u2019s the first feature by writer\/director Jonathan King.\n<\/p>\n<p class=\"MsoNormal\">I\u2019ve known about <em>Black Sheep<\/em> for quite some time, since one part of <em>The Frodo Franchise<\/em> deals with the impact that <em>The Lord of the Rings<\/em> had on the Kiwi film industry.\u00a0 Of course <em>Rings<\/em> helped draw other blockbuster productions to New Zealand, but for a while there was a fear that the small-budget local films would suffer\u2014costs driven up, competition for talent, and so on.\u00a0 Fortunately, <em>Rings<\/em> turned out to be good for New Zealand\u2019s own filmmakers.\n<\/p>\n<p class=\"MsoNormal\">Before <em>Rings<\/em>, it was rare for Kiwi films to draw international attention, and they tended not to do well at home, either.\u00a0 For a while <em>Whale Rider<\/em> (2002) looked like it might just be one of those occasional exceptions. \u00a0Most directors were working abroad. The main support for most domestic films was, and is, the <a target=\"_blank\" href=\"http:\/\/www.nzfilm.co.nz\/\">New Zealand Film Commission<\/a>.\u00a0 I had the pleasure of interviewing the Commission\u2019s head, Dr. Ruth Harley, twice during my research.\u00a0 The first time was in October, 2003, when it was not yet clear whether <em>Rings<\/em> would swamp local filmmaking and be a one-time bonanza for New   Zealand.\u00a0 The second time was at the American Film Market about a year ago, when filmmaking in the country was bustling and Harley declared that the industry was having its best year ever.\u00a0 The momentum seems to be holding steady, if not increasing.\n<\/p>\n<p class=\"MsoNormal\">Naturally I\u2019ve tried to see the new Kiwi films as they appeared.\u00a0 I enjoyed watching <em>In My Father\u2019s Den<\/em> (2004) in the Empire Theatre in Wellington (where <em>The Return of the King<\/em> had had its world premiere the year before).\u00a0 I very much liked <em>The World\u2019s Fastest Indian<\/em> (2005), with an engaging performance by Anthony Hopkins, but unfortunately it was not well publicized during its American release.\u00a0 Even <em>River Queen<\/em> (2005), with all the tales of its troubled production, turned out to be an impressive epic.\u00a0 It\u2019s a pity that the charming comedy about gay adolescents in rural New   Zealand, <em>50 Ways of Saying Fabulous<\/em> (2005), has not gotten wider distribution.\n<\/p>\n<p class=\"MsoNormal\">More films are on the way, and several expat directors have returned home to work.\u00a0 <em>Variety<\/em> reviewed <em>Sionne\u2019s Wedding<\/em> (retitled <em>Samoan Wedding<\/em> for distribution abroad) at the Montreal World Film Festival last month, declaring it \u201can instantly exportable comedy that will play gangbusters in all situations.\u201d\u00a0 It was a huge hit in New Zealand, where audiences have become interested in the local product in the wake of <em>Rings<\/em>. \u00a0More recently <em>Variety<\/em> praised <em>Out of the Blue<\/em>, a thriller starring Karl Urban\u00a0 It\u2019s only the second feature directed by Robert Sarkies, whose <em>Scarfies<\/em> (1999) was critically and popularly well-received.\u00a0 These and others in the pipeline suggest that Kiwi filmmaking is on a healthy footing.\n<\/p>\n<p class=\"MsoNormal\"><em>Black Sheep<\/em> has been intriguing to me for a more specific reason.\u00a0 It\u2019s the first small New   Zealand film to have its special effects done by <a target=\"_blank\" href=\"http:\/\/www.imdb.com\/company\/co0076091\/\">Weta<\/a><img decoding=\"async\" align=\"right\" src=\"http:\/\/a330.g.akamai.net\/7\/330\/23382\/20061103014307\/www.variety.com\/graphics\/photos\/_storypics\/blacksheep.jpg\" \/> Workshop, which had previously stuck to epics like <em>Rings<\/em>, <em>Master and Commander<\/em>, and <em>The Lion, the Witch and the Wardrobe<\/em>.\u00a0 Peter Jackson and his partners in the various filmmaking facilities in \u201cWellywood\u201d provide services to other films than their own, and they particularly want to encourage local filmmaking.\u00a0 <em>Black Sheep<\/em> is a step in that direction.\u00a0 Early publicity for the film quoted Weta head Richard Taylor as saying, \u201cWe\u2019re looking forward to turning some beautiful little sheep into crazed killers.\u201d\u00a0 The publicity photo from <em>Variety<\/em> certainly gives that lamb a slightly Gollumesque look.\n<\/p>\n<p class=\"MsoNormal\">King is already at work on his second feature, <em>The Tattooist<\/em>, and the NZ Film Commission\u2019s slate of projects makes it look as though the beautiful little country will continue the small but steady production that had long been its filmmakers\u2019 goal.\n<\/p>\n<p class=\"MsoNormal\">\n","protected":false},"excerpt":{"rendered":"<p>Kristin here\u2014 Variety today announces the splendid news that Black Sheep has been picked up for distribution in the U.S. by The Weinstein Company.\u00a0 At last! It\u2019s not the latest masterpiece from Iran or a new Oscar-bait documentary.\u00a0 It\u2019s a comic horror film from New Zealand.\u00a0 I have no idea whether it\u2019s any good, but [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,3],"tags":[],"class_list":["post-42","post","type-post","status-publish","format-standard","hentry","category-film-comments","category-the-frodo-franchise"],"_links":{"self":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":2,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/42\/revisions"}],"predecessor-version":[{"id":9005,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/42\/revisions\/9005"}],"wp:attachment":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/media?parent=42"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/categories?post=42"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/tags?post=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}