{"id":365,"date":"2007-02-04T18:00:27","date_gmt":"2007-02-05T01:00:27","guid":{"rendered":"http:\/\/www.davidbordwell.net\/blog\/?p=365"},"modified":"2011-03-08T17:45:29","modified_gmt":"2011-03-08T23:45:29","slug":"virtually-true-or-maybe-not","status":"publish","type":"post","link":"https:\/\/www.davidbordwell.net\/blog\/2007\/02\/04\/virtually-true-or-maybe-not\/","title":{"rendered":"Virtually true, or maybe not"},"content":{"rendered":"<p class=\"MsoNormal\">\n<p class=\"MsoNormal\"><img decoding=\"async\" id=\"image366\" src=\"https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/jsalla.jpg\" alt=\"jsalla.jpg\" \/><\/p>\n<p class=\"MsoNormal\">\n<p class=\"MsoNormal\">From DB, for once a brief blog:<\/p>\n<p class=\"MsoNormal\">\n<p class=\"MsoNormal\">\n<p class=\"MsoNormal\">Perhaps the most enduring legacy of <em>The Blair Witch Project<\/em> was the idea of promoting the film through a faux <a href=\"http:\/\/www.blairwitch.com\/\" target=\"_blank\">website<\/a> that treated the lore around the Witch as genuine. Later, the promotion for Spielberg\u2019s <em>A.I<\/em>. created an <a href=\"http:\/\/en.wikipedia.org\/wiki\/Alternate_reality_game\" target=\"_blank\">alternate reality game<\/a> (ARG) by scattering clues to a murder among <a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Beast_%28game%29\" target=\"_blank\">many websites<\/a>. The murder wasn&#8217;t part of <em>A.I.<\/em>&#8216;s plot, but it did take place in the film&#8217;s fictional world, and online participants pursued an elaborate para-narrative that connected obliquely to the movie. A key character in the ARG, researcher <a href=\"http:\/\/bangaloreworldu-in.co.cloudmakers.org\/salla\/default.html\" target=\"_blank\">Jeanine Salla<\/a>, was listed as an actor in the film&#8217;s final credits. Ms. Salla evidently died a grisly death herself, as the autopsy report above indicates. She led other lives in fanfiction and online <a href=\"http:\/\/www.rockwoodcomic.com\/salla.html\" target=\"_blank\">comic strips<\/a>.<\/p>\n<p class=\"MsoNormal\">Now, for <em>The Great World of Sound<\/em>, director Craig Zobel has created a <a href=\"http:\/\/greatworldofsound.com\/film\/\" target=\"_blank\">website<\/a>. Nothing new in that. But Zobel also provides a website for a fictional company<em> <\/em>in the film. Here\u2019s <em>Screen International<\/em>\u2019s take (19-25 January 2007, print ed., p. 36):<\/p>\n<p class=\"MsoNormal\" style=\"margin-left: 0.5in;\"><strong>It\u2019s the 21<sup>st<\/sup> century equivalent of the film within the film\u2014the fictional website of the shark-like record company in the movie. It\u2019s everything you\u2019d expect from a shady music company\u2014flashing primary colors, bad clip art, typos and scrolling fonts, all to the sound of a soul-killing <\/strong><strong>MIDI<\/strong><strong> song file. <\/strong><\/p>\n<p class=\"MsoNormal\">It starts well (banner reading, \u201cYou\u2019re ad here\u201d) but I found it not as wild as the <em>SI<\/em> description implies. Still, the idea is good, the execution diverting. Visit it <a href=\"http:\/\/www.greatworldofsound.com\/\" target=\"_blank\">here<\/a>.<\/p>\n<p class=\"MsoNormal\">In a parallel thrust from Bookland, Jacquelyn Mitchard\u2019s forthcoming young adult novel <em>Now You See Her<\/em> is being promoted by a series of YouTube video diaries purportedly made by the heroine, Hope Shay. The <a href=\"http:\/\/www.youtube.com\/watch?v=wR2ZQrCibE4\" target=\"_blank\">first one<\/a> is up, and already at least one viewer thinks it&#8217;s the McCoy. (1)<\/p>\n<p>We can probably expect to see more extensions of fictional worlds to the webworld. Are Hannibal Lecter podcasts next? Or an online university for which reading <em>Special Topics in Calamity Physics<\/em> is a prerequisite? See <a href=\"http:\/\/www.henryjenkins.org\/\" target=\"_blank\">Henry Jenkins<\/a>\u2019 fine <a href=\"http:\/\/www.amazon.com\/Convergence-Culture-Where-Media-Collide\/dp\/0814742815\/sr=1-1\/qid=1170531571\/ref=sr_1_1\/102-7158690-9292146?ie=UTF8&amp;s=books\" target=\"_blank\"><em>Convergence Culture<\/em><\/a> for more on the <em>A. I.<\/em> puzzle ARG (pp. 123-128) and reflections on cross-media storytelling in general.<\/p>\n<p class=\"MsoNormal\">(1) Full disclosure: Hope is played by Lauren Peterson, the daughter of old friends Sue Collins and Jim Peterson. They also live down the street from us. Jim, now an attorney, took a Ph. D. in film studies here at UW. He\u2019s the author of <a href=\"http:\/\/www.amazon.com\/Dreams-Chaos-Visions-Order-Understanding\/dp\/0814324576\/sr=1-1\/qid=1170519480\/ref=sr_1_1\/102-7158690-9292146?ie=UTF8&amp;s=books\" target=\"_blank\"><em>Dreams of Chaos, Visions of Order<\/em><\/a>, an outstanding study of American avant-garde film.<\/p>\n<p class=\"MsoNormal\">PS Monday morning: I don&#8217;t watch much TV; <em>The Simpsons<\/em>, Olbermann, Ebert &amp; Roeper, and the movie channels are pretty much it. So I&#8217;m grateful to Olli Sulopuisto for telling me that <em>Lost<\/em> has created its own ARG, <a href=\"http:\/\/www.thelostexperience.com\/\" target=\"_blank\">The Lost Experience<\/a> and that there&#8217;s a website for the fictional Hanso corporation. Much, much more can be found on the <a href=\"http:\/\/www.lostpedia.com\/wiki\/Portal:Lost_Experience_Themes\" target=\"_blank\">fansite<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From DB, for once a brief blog: Perhaps the most enduring legacy of The Blair Witch Project was the idea of promoting the film through a faux website that treated the lore around the Witch as genuine. Later, the promotion for Spielberg\u2019s A.I. created an alternate reality game (ARG) by scattering clues to a murder [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,1,6,54,48],"tags":[],"class_list":["post-365","post","type-post","status-publish","format-standard","hentry","category-film-and-other-media","category-film-comments","category-film-industry","category-narrative-strategies","category-new-media-technology"],"_links":{"self":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/comments?post=365"}],"version-history":[{"count":4,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/365\/revisions"}],"predecessor-version":[{"id":13074,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/365\/revisions\/13074"}],"wp:attachment":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/media?parent=365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/categories?post=365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/tags?post=365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}