{"id":26498,"date":"2014-02-23T08:12:52","date_gmt":"2014-02-23T14:12:52","guid":{"rendered":"http:\/\/www.davidbordwell.net\/blog\/?p=26498"},"modified":"2015-10-29T21:19:34","modified_gmt":"2015-10-30T02:19:34","slug":"james-agee-all-there-and-primed-to-go-off","status":"publish","type":"post","link":"https:\/\/www.davidbordwell.net\/blog\/2014\/02\/23\/james-agee-all-there-and-primed-to-go-off\/","title":{"rendered":"James Agee: All there and primed to go off"},"content":{"rendered":"<p><a href=\"https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Verdoux-2-500.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-26500\" title=\"Verdoux 2 500\" src=\"https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Verdoux-2-500.jpg\" alt=\"\" width=\"500\" height=\"376\" srcset=\"https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Verdoux-2-500.jpg 500w, https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Verdoux-2-500-150x112.jpg 150w, https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Verdoux-2-500-398x300.jpg 398w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p><em><strong>Monsieur Verdoux<\/strong> (1947).<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>The original entry at this URL, published 23 February 2014, has been removed. Revised and expanded, it forms a chapter in the book <em>The Rhapsodes: How 1940s Critics Changed American Film Culture<\/em>, to be published by the University of Chicago Press in spring 2016.<\/p>\n<p>I explain the development of the book <a href=\"https:\/\/www.davidbordwell.net\/blog\/2015\/10\/03\/the-rhapsodes-return\/\" target=\"_blank\">in this entry.<\/a><\/p>\n<p>You can find more information on the book <a href=\"http:\/\/www.amazon.com\/Rhapsodes-Critics-Changed-American-Culture\/dp\/022635220X\/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1446169423&amp;sr=1-1&amp;keywords=david+bordwell+rhapsodes\" target=\"_blank\">here<\/a> and <a href=\"http:\/\/www.press.uchicago.edu\/ucp\/books\/book\/chicago\/R\/bo23044265.html\" target=\"_blank\">here<\/a>.<\/p>\n<p>Thank you for your interest!<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Rhapsodes-cover-5003.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-32539\" src=\"https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Rhapsodes-cover-5003.jpg\" alt=\"Rhapsodes cover 500\" width=\"500\" height=\"750\" srcset=\"https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Rhapsodes-cover-5003.jpg 500w, https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Rhapsodes-cover-5003-100x150.jpg 100w, https:\/\/www.davidbordwell.net\/blog\/wp-content\/uploads\/Rhapsodes-cover-5003-200x300.jpg 200w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 120px;\">\n","protected":false},"excerpt":{"rendered":"<p>Monsieur Verdoux (1947). &nbsp; The original entry at this URL, published 23 February 2014, has been removed. Revised and expanded, it forms a chapter in the book The Rhapsodes: How 1940s Critics Changed American Film Culture, to be published by the University of Chicago Press in spring 2016. I explain the development of the book [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199,200,74,210],"tags":[],"class_list":["post-26498","post","type-post","status-publish","format-standard","hentry","category-agee","category-directors-huston","category-film-criticism","category-the-rhapsodes-american-film-critics-of-the-1940s"],"_links":{"self":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/26498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/comments?post=26498"}],"version-history":[{"count":47,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/26498\/revisions"}],"predecessor-version":[{"id":32550,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/posts\/26498\/revisions\/32550"}],"wp:attachment":[{"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/media?parent=26498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/categories?post=26498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidbordwell.net\/blog\/wp-json\/wp\/v2\/tags?post=26498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}