The Getting of rhythm: Room at the bottom
Music Land (Disney, 1935). DB here: “The great directors, I’ve learned, have a great sense of rhythm.” So says Alexandre Desplat, who’s again earned two Oscar nominations in the same year (for The Imitation Game and The Grand Budapest Hotel). The statement sounds true but vague. Musicians and musicologists have a firm sense of what … Continue reading The Getting of rhythm: Room at the bottom
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