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Books

Film Art: An Introduction

Christopher Nolan: A Labyrinth of Linkages pdf online

Pandora’s Digital Box: Films, Files, and the Future of Movies pdf online

Planet Hong Kong, second edition pdf online

The Way Hollywood Tells It pdf online

Poetics of Cinema pdf online

Figures Traced In Light

Ozu and the Poetics of Cinema pdf online

Exporting Entertainment: America in the World Film Market 1907–1934 pdf online

Video

Hou Hsiao-hsien: A new video lecture!

CinemaScope: The Modern Miracle You See Without Glasses

How Motion Pictures Became the Movies

Constructive editing in Pickpocket: A video essay

Essays

A Celestial Cinémathèque? or, Film Archives and Me: A Semi-Personal History

Shklovsky and His “Monument to a Scientific Error”

Murder Culture: Adventures in 1940s Suspense

The Viewer’s Share: Models of Mind in Explaining Film

Common Sense + Film Theory = Common-Sense Film Theory?

Mad Detective: Doubling Down

The Classical Hollywood Cinema Twenty-Five Years Along

Nordisk and the Tableau Aesthetic

William Cameron Menzies: One Forceful, Impressive Idea

Another Shaw Production: Anamorphic Adventures in Hong Kong

Paolo Gioli’s Vertical Cinema

(Re)Discovering Charles Dekeukeleire

Doing Film History

The Hook: Scene Transitions in Classical Cinema

Anatomy of the Action Picture

Hearing Voices

Preface, Croatian edition, On the History of Film Style

Slavoj Žižek: Say Anything

Film and the Historical Return

Studying Cinema

Articles

Book Reports

Observations on film art

Two more to TANGO

Tuesday | October 24, 2006   open printable version open printable version

The passionate Tarrians (Tarrophiles?) Gabrielle Claes and Jonathan Rosenbaum have written me after my note on SATANTANGO. Gabrielle points out that the film won the L’age d’or prize, an award given during the Belgian Cinemathèque’s annual Cinedécouvertes festival. In the spirit of Bunuel’s classic, the award is given to films that challenge and disturb accepted notions of cinema. The festival, held the first two weeks of every July, is wonderful as a whole, too. It was here that I saw my first films by Kitano, Kiarostami, Hou, and many other directors I’ve come to love.

Jonathan points out that his essay on Satantango, which I mentioned was published in his book Essential Cinema, is also available online from the Chicago Reader site. This piece contains a lot of ideas and information, including background on the source novel.

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